When I think of 19th century Canada, I don’t exactly conjure
images of exciting arts and crafts. However, the Governor’s wife’s
scrapbook was one of the symbols that I saw in “Alias Grace”. Rather
than pressed flowers or family photographs, “what it has instead is all
the famous criminals in it, the ones that have been hanged…” This
twisted book of mementos represents the way society views the actions of
criminals and dehumanizes them. Grace is also a criminal and pieces of
her trial were published in newspapers for the community to interpret
and piece together. The media presented a version of Grace that she had
no control over, one that made her out to me a murderess. Although the
readers of the novel know that the accusations of her being an “inhuman
female demon” or “little better than an idiot” are untrue, the readers
of the newspaper article during that time are left to make up their own
opinions. Atwood leaves the readers of “Alias Grace” to make up their
own minds about Grace’s innocence or guilt, complied in a novel rather
than a scrapbook.
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